Blogs

Nonsite || Rob Halpern's "Pornotopias"

Greetings Friends:
 
Please join the Nonsite Collective on Sunday, August 14 at 1 pm for a casual conversation with Rob Halpern around his recent Naropa workshop "Pornotopias."
 
In the thumbnail sketch for his workshop, Rob writes: "Is porn a regime of representation, or an erotic utopia where identities are shorn and desires socialized? Pleasure’s 'bad infinity' or democracy’s frontier? Commodity or commons?  The media’s lingua franca, or poetry’s scene of resistance? What can so-called 'pornographic' language activate? Might it even offer a strategy for responding to social crisis?"  What is porn, anyway? And what might itsuse be beyond its exchange-value? Can it be made to work critically in our various practices against dominant regimes of representation and proprietary selfhood?
 
On Sunday, Rob will share some of his thinking around the social poetics of porn and facilitate some discussion by way of these questions, perhaps in relation to contemporary military culture and disaster capital, while touching on the Marquis de Sade, Whitman, Genet, as well as his own project, Music for Porn. We also hope to spend some time discussing the work of the collective: where we've been and where we're going!

Please respond to this email for directions and we hope to see you Sunday!
 
My best,
Michael

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NONSITE || Common/Ground: A Public Writing, 5/22/11 at the Castro Plaza

As the enforcement of San Francisco's Sit/Lie law (Prop L) has begun, we aim to explore urban common space and the role of artists and writers in "right-to-the-city" campaigns, a lived critique aimed at Prop L.

Nonsite Collective joins Sidewalks Are for People in celebrating public space on Harvey Milk's birthday. We will enact a public writing using the sidewalks of San Francisco as the site of artistic production.

WHERE: 17th and Castro Plaza
WHEN: Sunday, May 22, 1-3pm
WHAT: A public writing through Prop L. We will use the language of Prop L as source text for our creative responses, which we will share and subsequently post to the Nonsite Collective website. Copies of the proposition and writing materials will be provided.


NONSITE || Robert Kocik's "Offering Up the Body as Food"

Please join us this Wednesday, December 22nd at 7pm for a conversation with visiting architect, artist, and poet Robert Kocik.

Robert writes of his thematic, "Offering Up the Body as Food," "I'd like to place together (as they are inseparable) two major Nonsite concerns: commoning and somatics. Perhaps the discursive is getting us down (it's so little of what we are and what language is). It's hard to get the commoning meetings to get us anywhere (just as when I work with the Phoneme Choir or teach saw-sharpening or voice, if I don't cut the talk and just 'do,' there is no transformation.) Spread-thin is the mode we're all in and need to use to our advantage. Let me introduce INSTEADS (instead of what we'd be doing otherwise, instead of our recognizable artworks, instead of the status quo and to some extent instead of homesteading (in that all the land is already owned) as clear (well, luminous) objectives to be carried out. Wholly speaking, somatics is tripartite: bodywork and then offering up the energized body as activism and I-lessness (the ultimate protest against privatization). Thus commoning, though seemingly an objectiveworld practice, comes from emptying and quickening of compassion within. What I see with I aside (what hurts most and offers the greatest alleviation): Planned Pauperization Of Almost Everybody (PPOAE) and the need to translate the green of the forest of the commons of old as today's money—like water or air, nobody should be able to own a billion parts to another's one. Taxation is an unsolvable distraction—preemptive maldistribution is the work of poets. Vowed to change, as it is from the power of vow that means arise."

In preparation for our conversation, Kocik suggests reading writings from the Chod tradition of Machig Labdron (Machik Labkyi Dronma); Just Give Money To The Poor by Joseph Hanlon, Armando Barrientos and David Hulme; and any strategies and wording for de-financializing the economy. We hope to post excerpts from this material on the website as soon as possible.

If you are interested in joining us, or require any accommodations to attend, please email directions@nonsitecollective.org for details regarding location and accessibility.

Robert Kocik’s cutting-edge work blurs the distinction between art and architecture. He has studied poetry at the New College in San Francisco and engineering at the Ecole Polytechnique IBOIS in Lausanne, Switzerland. After apprenticing with Japanese woodworkers in the San Francisco Bay Area, under the tutelage of Makoto Imai, and working with the Compagnons du Devoir, a traditional French wood-framers guild, Kocik began fusing these two traditions in his own work, beginning with furniture, and gradually evolving into architecture and sculpture. He has been commissioned to design buildings for several well-known artists, including internationally acclaimed sculptor Ursula von Rydingsvard and prestigious art critic David Levi-Strauss. As an architect in the public sphere, he works toward the realization of “missing civic services,” conceptualizing, designing, and constructing buildings that serve a public function and provide an activity that in some way “turns the world around.” Examples of past missing civic services include Preemptive Peace Place, Enfranchisement Ranch, and Furniture While You Wait. Kocik has exhibited related sculptural work at P.S. 122, Hunter College Gallery, the Kentler International Drawing Space, and the Makor Gallery, all in New York, among many other venues. His work is currently on view at the Grand Rapids Art Museum, Michigan.

Kocik is also an acclaimed poet whose books include Over Coming Fitness (Autonomedia, 2000) Rhrurbarb (Ecopoetics, 2007) and the forthcoming The Prosodic Body (The Factory School, 2009). His poetry and writings have appeared in the journals Acts, Object, Crayon, Action Poetique, The New Coast, and Ecopoetics, among many others. He has also translated and published the work of several contemporary French poets.

In 1990, Kocik co-founded the Atelier Trigon, a multidisciplinary arts, trades, and performance space in Paris with choreographer Daria Faïn, where he served as Co-Artistic Director from 1990-94. In 1997 he founded the Bureau Of Material Behaviors, a materials research, consultation, design, and building practice located in Brooklyn, NY. Kocik has taught and lectured extensively throughout the United States.

O&M somatic practice notes for David Wolach

At a recent Nonsite event, David Wolach asked us to develop a somatic practice that re-humanizes the work place and the home place. For me, choosing is hard because everything is somatic practice, I am always practicing with my body because actually doing is interrupted, difficult, complex—be it walking or providing info and referral as a disability service or obsessing about the type of worker I should be (“Why did I get an MFA? Why am I not a physical therapist or a VI teacher or a real social worker?” “or why not in academia really then, instead of just with academic friends….?’ “How to be all when I am often neither?”etc etc etc. ). Working, not writing-working, but working-working as a social service provider (which also does involve some form of writing-working) is also somatic practice.

Since I recently lost all vision in my left eye, and since I cannot turn my head (my field thus being a lot more limited despite the fact that my right eye retains high partial vision) the Dept of Rehabilitation is paying for me to get O&M at my place of work—which happens to be the place that provides such services (I usually work on the other end of it, brining folks in for the services, instead of myself). O&M stands for Orientation and Mobility—the process by which a blind or low vision person learns to navigate with a white cane. The DOR is the governmental entity that funds training or other services for people with disabilities, injuries or illness. If job attainment or retention is contingent upon receiving such training or services, then one can be declared “severely disabled’ and receive funds for the training or service. There are many exceptions to this, much goes unfunded and one must have a certain way of presenting one’s case to the DOR to receive services. Since I work on the inside, I got my O&M authorization fairly easily, though typically, it can take several months.

My coworker, an O&M specialist, my age or a few years younger, has been assigned my case. We go out into traffic and practice intersection analysis. She seems a little appalled that I have no concept of left and right if it is not in relation to my legs. That car may be turning right, but he is turning toward my left, stiffer leg so the notion that he is a right-hand turner seems unreal to me. When she was still in grad school, she came to visit our agency and I showed her around, talked to her about how the organization works, etc. It's a bit awkward. I have strategies she did not learn about in school because O&M is geared towards one kind of disability generally. And she is not disabled and I feel obliged to forget my strategies in order to learn something from her--because also she has to check off boxes to say that I have learned and that I am safe. My strategies are opposite to what she has been taught is safe (i.e. I need to launch myself off the curb at the same time as I make the wide arc with the cane--because my leg bones require that kind of forward momentum. She maintains I need to be still while the cane does its pronouncement and then go quickly).

There are multiple systems at work here, not to mention thin layers ofworkers’ hierarchies. Vagaries in O&M (“once you have decided to step into the street, you can’t turn back, so there is no use in listening for the car nearest you—you have to listen to the lane ahead”) and in poetry. Bu there is a sense of a vital circuit between the DOR, O&M training, my job and myself as a worker and now a client of my place of work.

These notes form my journal are probably illegible. Does somatic practice writing have to be legible? Can it possibly be legible? Or is it like composting toward another layer of writing? (The LightHouse has gotten a grant to sue this long abandoned lot across from City Hall as a community garden—for the blindness community and other Civic Center communities.) The last line in the journal entry has to do with me suddenly hitting upon a possible resource lead for a man with ankylosis spondilits who came in seeking O&M from the LightHouse. He will never qualify for it, because he is not even low vision. His fixed spine makes it so that he cannot look up when he walks and people mow him over at the opera, which he enjoys going to regularly. It is frightening and demoralizing to him. but it has nothing to do with work retention, since he is retired and it is the opera. Therefore the DOR would not pay. It occurs to me that an   EastBay   agency offers generalized “travel training”.   I feel relieved at having some suggestion to offer him, especially since like him, I fall more to the side of mobility than orientation.

Follow-up notes; I call the East Bay agency and the lady says they only offer this service to people who live in the East Bay. The AS guy would not qualify. I know she is telling me the wrong information, that she is, herself confused, so now I have to circle back to figure out who else at the agency I might need to talk to get a different answer. She is kind of an acquaintance, so the politics of it are difficult, Also, I am resourcing her for my resource work—we are now twice removed from seeing any income come into our agencies for the time spent on the AS man. But I am funded (being paid as a “resource counselor”) to do this kind of work, so in a sense, I can take all the time I want on it, except that since I saw that man, dozens of other people have come through the doors, and there is not time to come up with helpful leads for all of them.

Bodies in systems needs organic outlets, one stages need that is more prescribed than actual. The real need can’t quite get funded. You can come close to it—poetics, or just conversations (I really liked the guy with AS—it makes me want to meet him on a weekly basis and walk around with him. can I get paid for that? Unfortunately, we all need to get paid….) These are economics. The real social work falls somewhere else, it is like improv or communal somatic performance. One thing I love about my job is that the position exists half outside the system—someone can call me and just have a conversation.

Follow-up notes: On my next to last O&M session, my co-worker and I go to the cable car turn-around at Powell, to practice walking in crowds with the white cane. This is what I most wanted to practice. But when we get there, it seems that there can be no practicing. People are not machines, like cars (or mechanistic of the traffic system). Or they are and the white cane signals them to move, to drag their children out of my path as if I were a kind of motorized zombie (oddly, when speeding to Forever 21 on the mobility scooter, people stop dead in my path to examine bracelets at a street cart. They do not seem oblivious to my trajectory, but confident that I will find a way to skirt them or that I will yield until they choose to move out of my way.) For my part, for my own safety, again, the choice to exaggerate tendencies for optimal function--I have to choose not to veer but proceed toward them, so I am not constantly darting larger faster passersby. It is embarrassing only because I assume they know I see that but choose to not yield. Though actually, they probably assume I cannot see at all, because they do not ever make eye contact. Nothing about not being to see on the left side is that scary when merging into a crowd rushing toward the Gap. It is still the same old signals in my body, which mistake chronic ache for external danger--and it is not unfounded as slower stiffer walking can make for collision. Trust that they see you, I think of Rodney Bell telling me during the site-based performance with Axis (the phrase in which we were all moving, wildly quickly toward each other, criss-crossing). This is kind of the the antithesis of O&M theory and practice, and yet, also very applicable, as with listening to the lane ahead and going with the nearest parallel.

If you are reading this with a screen reader or screen mag software and want access to the text in the images, pleas email me.amberdipietra [at] yahoo [dot] com. Id be happy to transcribe. I just ran out of juice for the moment.

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